En komperativ undersökning av två fenomenologiska teorier tillämpade på Landskrona konsthall
This thesis examines how the architecture of Landskrona Konsthall is experienced. Building on a formalist analysis, it investigates two distinct phenomenological perspectives, Wölfflin’s concept of spatial forces and Rasmussen’s emphasis on sensory perception. Methodologically, the study combines reading of theory with on-site field observations, in which visual and sensory impressions are documen
