Filtyp
The Writer:
Sigrid Combüchen was born in Solingen in the German Ruhr territory 1942. Shortly after the War her family moved to Sweden. She is a Swedish writer and literary critic and has so far published seven novels, a collection of essays and a biography (on the Norwegian novelist and winner of the Nobel Prize in Literature 1920, Knut Hamsun). She received the 2004 Selma Lagerlöf Prize a
The home has a self-evident place within audience studies. In spite of this salient position, the home has seldom been theoretically problematized; it has often been ‘reduced’ to a social context of the prioritized media engagement (domestication research is partly an exception). The paper is further justified by the fact that media and media practices are important for the home and its boundaries
This paper assesses a discussion on how to understand the relationship between Husserl’s Cartesian way and the later ontological way to the transcendental reduction: Is the Cartesian way flawed to the extent that the ontological way constitutes a principal correction to it, or is the ontological way a logical completion of an insufficient but nonetheless necessary Cartesian way? A reading with the
Introduction to the cinematic works of Austrian artist Kerstin Cmelka
Sweden has a long tradition of using film material in school education. As a way to heighten the film industry’s status, commercial film companies began to lend out films to schools already in 1921. This practice continued until Swedish television (SVT) started to televise programs directly to schools in 1961. The Last Dog in Rwanda (Den sista hunden i Rwanda, 2006, Jens Assur) is a short film pro
The presentation will describe the results of a randomized controlled trial of cognitive therapy for childhood GAD, including analyses of mediation of outcome by changes in intolerance of uncertainty.
Sammanfattning av eget föredrag om tidningen Lundagårds symboldjur "Quatten" (hållet för Sällskapet Pelle Svanslös Vänner i Uppsala 2015-11-16)
