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Svenska som främmande språk: Nybörjarkurs 4
Svenska som främmande språk: Nybörjarkurs 3
Miljövetenskap: Miljöpolitik och förvaltning
Engelska: Shakespeare på scen
30th Anniversary: Seminar, Reading Hannah Arendt: On Evil – from Totalitarianism to Banality
Juridik: Förvaltningsrätt med offentlighet och sekretess
Danska: Muntlig och skriftlig språkfärdighet, fördjupning
Svenska som främmande språk: Nivå 5-8
Deforestation and carbon stocks in Africa
Fracture mechanics for membranes : The 15th European Conference of Fracture (ECF15)
During fracture of membranes loading often produces buckles above and below the cracksurface. This changes the stress state surrounding the crack-tip and stresses in theneighbourhood of the crack-tip posses a weaker singularity than r-1/2. As a result, fractureoccurs when the crack-tip stress distribution is different as compared with that when bucklingis artificially prevented. Therefore the cond
Postwar in War: Ukrainian reparations
Capacity Building Through Institution Transplantation: Indonesia’s Involvement in SEA-EU-NET (A Case Study)
Kvartärgeologi: Globala miljöförändringar i ett geologiskt perspektiv
Naturgeografi och ekosystemanalys: Examensarbete för masterexamen
Språkkonsult: Praktisk pedagogik med utbildningsinsats på arbetsplats
Book release: Creative Data Lab
‘A Powerful and Essential Means of Action’ : UNESCO and the Humanities as Science Diplomacy (1945–1949)
This article explores how the humanities were imagined by UNESCO to contribute to their quest for improved international relations and worldwide peace. It analyses the negotiations on what role the humanities could play in diplomatic work by looking at the process that led to the founding of the International Council for Philosophy and Humanistic Studies (ICPHS/CIPSH) in 1949. Despite being ingrai
Rehearsing Emotions : The Process of Creating a Role for the Stage
This thesis takes as its starting point the dramaturgical metaphor of the world as a stage, which is used in sociological role theories. These theories often presume what stage acting is about in order to use it as a simile for every day acting. My intention is to investigate how stage actors actually work with their roles, in particular how they work with emotions, and how it affects their privat