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A chapter in the first monograph dedicated to the work of artist Matthew Lutz-Kinoy that focuses upon the role of shadows and shadowplay in his exhibitions, paintings, and performances.
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A review of the first monograph on the artist Raphael Montañez Ortiz.
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An interview with the artist about his appropriation-based practice in film, photography, sculpture, and video and his related exhibitions at the Delfina Foundation, London and VOX-centre l'image contemporaine, Montréal.
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A text about the role of monologue, text, and writing in the work of artist Jimmy Robert.
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Curator Jacob Korczynski examines Justin Hicks and Steffani Jemison’s collaborative project Mikrokosmos. Existing as a vinyl record, a series of performances and exhibitions, Mikrokosmos performs an archaeology of Black American music. Through a close reading of the Mikrokosmos LP Another time, this time, one time, Korczynski unpacks the potential of the aesthetics of the cut and repetition in red
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Circular economy (CE) is still a nascent research field in the built environment, however, has gained traction in the last decade. Despite it being generally accepted that sustainability consists of three dimensions, namely, social, environmental, and economic, CE has been criticised for focusing on environmental and economic impact whilst neglecting the social aspect. Further, CE has been critici
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Based on Thompson’s (1967) three technologies, Stabell and Fjeldstad (1998) proposed three value configurations; the value shop, the value chain and the value network. However, the threefold variety of technologies in Thompson has been recognized as being in contrast with Thompson’s ambition to produce two-by-two classification schemes. Also, Johansson and Jonsson (2012) proposed a new value confi