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How to Build an Enemy by UCCI UCCI
27 april 2026 18:00 till 19:00 | The duo’s current artistic research analyzes the mechanisms of manipulation, investigating the performativity and the collective hauntological specters of the online community “4chan.” It explores the dark side of anonymity and the construction of events, false myths, legends, and conspiracies that give body to the “enemy.”UCCI UCCI (Gloria Zeppilli / Salvatore Cru
https://www.konstnarliga.lu.se/evenemang/how-build-enemy-ucci-ucci - 2026-04-21
”It’s like there’s a pink suede elephant in the middle of the room, and no one’s allowed to talk about it.” - Om heteronormativitet och representationen av HBTQ-personer i tv och film
Alan Blinder: A Monetary and Fiscal History of the United States, 1961-2021 och George Stephanopoulos: The Situation Room: The Inside Story of Presidents in Crisis
Book a group visit in the Planetarium
How to Build an Enemy by UCCI UCCI
27 april 2026 18:00 till 19:00 | Event The duo’s current artistic research analyzes the mechanisms of manipulation, investigating the performativity and the collective hauntological specters of the online community “4chan.” It explores the dark side of anonymity and the construction of events, false myths, legends, and conspiracies that give body to the “enemy.”UCCI UCCI (Gloria Zeppilli / Salvato
https://www.lu.se/evenemang/how-build-enemy-ucci-ucci - 2026-04-22
An Attuning Approach to Sound Art and Design in Public Spaces
Concert production (employee)
Here you will find information on how to organise a concert or event as an employee. Start by choosing one of the following two options.1. My concert/event forms part of the academy’s curriculum and I need one of the academy’s producers to help we. Which concerts fall under this category is decided each semester by the progamme directors and heads of office. How to do it 1. Contact a producerMake
https://www.mhm.lu.se/internt/concert-production-employee - 2026-04-21
A Soundscape for Art
Humans use their senses to understand and analyse the world. For architectural experiences, sight, touch, hearing, smell and balance ought to be the most important. Among architects, the vocabulary, documentation and methods used when planning, designing and presenting a project are however mainly visual. The aim with this project has been to design a building, starting with the acoustics. Ques
Farewell Falsterbo Master Scrip English Cooperation Version
FAREWELL FALSTERBO Cooperation Version Master Script for Skanör-Falsterbo and Version for any Beach PUNKT 1 1.1 SPEAKER SKANÖR 1.1 SPEAKER BEACH You’re on the beach now. Next to the ocean. Do you like it? Most people do. We all come from the ocean, and we all rely on it. There’s sand under your feet, and if you look up you can see the sky. Is it gray, heavy with rain? Or clear blue, with a couple
Schedule
https://www.mhm.lu.se/internt/schedule - 2026-04-21
TALK: Balboa/Campesato: Are we making too much noise? A conversation about sonic encounters
24 april 2026 18:00 | Föreläsning INTONAL 2026 Lílian Campesato (Brazil) and Laura Balboa (Mexico) will engage in a conversation about sound, noise, and listening, ranging from convivial experiences as “Latin Americans” in Denmark and Sweden to noise production, situated practices, pluriverses, and sonic cultural clashes. Laura Balboa is a Binnizá (Zapotec) autonomous researcher, radio producer, a
Handlingarnas sken : om litterär slitning i det dramatiska
The subject of this thesis is what I call a literary friction in the dramatic. In my research project, my aim has been to deepen the understanding of this friction and to make it productive in transforming my own dramatic writing. This has resulted in two dramatic works, which are presented in the thesis. I distinguish two different qualities in my writing – the dramatic and the literary – that I
Instructions to students in connection to the start of the academic year 2020 2021
Instruktioner till studenter inför läsårsstarten 2020 Välkomna till Konsthögskolan i Malmö läsåret 2020/2021! Undervisning på campus och på distans Glädjande nog har vi nu möjlighet att återgå till campusförlagd undervisning på Konsthögskolan men eftersom Coronapandemin är långt ifrån över så är direktiven fortsatt distansundervisning i så stor utsträckning som möjligt. Sammanträden eller möten ko
André Johansson
The Higher Research Seminar: Benjamin Rosher, University of Gothenburg - “Affective borders: ontological security and emotional attachments to state borders”
22 april 2026 13:15 till 14:30 | Seminarium Chair: Catarina Kinnvall Abstract One of the most pressing global challenges is that our current border imaginaries are unsustainable. By the end of 2022, for reasons including conflict, globalisation, and climate change, over 281 million people currently live in a country other than their country of birth, either out of choice or necessity. Furthermore,
The Higher Research Seminar: Benjamin Rosher, University of Gothenburg - “Affective borders: ontological security and emotional attachments to state borders”
22 april 2026 13:15 till 14:30 | Seminarium Chair: Catarina Kinnvall Abstract One of the most pressing global challenges is that our current border imaginaries are unsustainable. By the end of 2022, for reasons including conflict, globalisation, and climate change, over 281 million people currently live in a country other than their country of birth, either out of choice or necessity. Furthermore,
TALK: Balboa/Campesato: Are we making too much noise? A conversation about sonic encounters
24 april 2026 18:00 | Föreläsning INTONAL 2026 Lílian Campesato (Brazil) and Laura Balboa (Mexico) will engage in a conversation about sound, noise, and listening, ranging from convivial experiences as “Latin Americans” in Denmark and Sweden to noise production, situated practices, pluriverses, and sonic cultural clashes. Laura Balboa is a Binnizá (Zapotec) autonomous researcher, radio producer, a
"In my soft girl era" - En kritisk feministisk studie om femininitet inom soft-girl trenden
This thesis explores how femininity is constructed within the soft girl trend, using Butler’s theoretical framework of the heterosexual matrix and theory of (gender) performativity. By combining digital ethnography, multimodal critical discourse analysis, and a critical feminist perspective, this study aims to contribute to a deeper understanding of how femininity is expressed, reproduced and aest